Elsewhere
Posted: August 24th, 2010 | Author: Simon | Filed under: Featured, Journal, Noteworthy | Comments OffThis weblog is now officially closed down.
You can find me elsewhere:
This weblog is now officially closed down.
You can find me elsewhere:
Just in time for the 2009 Script Frenzy I’ve updated the Report Card. It’s more or less the same version as the one from last year, with just the dates adjusted.
This is an modified version of some of the report cards from NaNoWriMo to suit the needs for Script Frenzy.
I did not create this. I merely modified it for Script Frenzy. All credit for creation and idea goes to the original creators.
Big changes are coming.
First of all, I quit my job at NNIT. This Friday is the last day at work.
This upcoming Monday I’m starting as a Project Manager at the design company 1508 A/S, which I’m looking forward to as a little kid is waiting for Santa to swing by on Christmas Eve.
1508 is located smack in the middle of central Copenhagen, which also means that my commuting time will be cut in half (NNIT is located around 14 km north of Copenhagen).
The last 6 months or so, I’ve been longing more and more to work in a creative environment again. And I think I can claim without hurting anyone’s feelings that there are very few creative people employed at NNIT. This is a good thing for them and their services. However, it just wouldn’t cut it for me. I need people with crazy ideas and urge to draw and create and try out new approaches. Even as a project manager I’m much more comfortable in these kinds of environments.
It’s also a direct extension of the topics covered in my master thesis, and the kind of roles I’ve previously held in the entertainment business (movies and games).
In a time of financial crisis and the entire world collapsing around us, the sensible thing to do would be to stay with one of the larger IT companies in Denmark with solid profits and growth, but my parents always thought me to follow my heart in all matters in life. Lately my heart has not been with me when I was working at NNIT.
Nevertheless, I’ve liked working there, now was just the time to move on and try something new (or something old, depending on your view).

On another note of change, we have also sold our 3 room apartment, and will April 1 be moving into a huge 5 room rented flat that seriously defines description. Even if you look at the images on their website, you really do not get a full understanding of how nice these flats are.
Things are changing indeed.
No, seriously, I hate ‘em. I’ve said it before elsewhere, I think they are fundamentally flawed.
They are slow, expensive, confining and proves overall a huge hinderers for how the human mind works.
Mind you, this is not a Windows vs. Macs vs. Linux kind of argument. I hate ‘em all equally.
There really is something wrong with the way computers are designed. The basic premise of computers is that they’re meant as a way of assisting you in your work. But compared to other objects, computers are very sensitive and extremely dumb. Further more you need quite a level of knowledge to operate them properly.
They offer very little in the way of real assistance. You have to learn their language and their way of seeing the world. And even though that multi-touch interfaces are a huge step in the right direction I still feel that computers are designed wrong.
Remember this is coming from a guy with a master degree in computers. Not to flaunt my feathers, but I’ve been dealing with computers for the better part of 20+ years and even make my living by consulting others about their organizations and IT systems.
Compared to (paper) notebooks, there is very little knowledge required in order to use them. Heck even my three year old son have been using pen and paper for most of his life.
The very notion that computer can “crash” is just wrong. My pen and paper don’t crash. I can ruin them by spilling water all over them, but then it’s my own fault and I would expect that spilling a cup of coffee all over my notebook would render it unreadable. That’s “My bad”.
But computers crash and even have the audacity of sometimes tell me that “An Unexpected Error Occurred”. Fuck yeah, it was unexpected! I paid $2.000 for this piece of crap and I was actually working on something important, so yeah, it was fucking unexpected.
If my computer crashed because I spilled coffee in it, so be it. That would be expected. But just crash, because you fell like it, or because I did “An Illegal Action” that is not fucking okay. Okay?
I think it’s truly sad that the modern world is so assimilated by computers, when they’re working so badly. Any other tool we use in our everyday life would never survive two days if they worked as bad as computers. But for some unexpected reason computers have.
I’m ranting and rambling here. Nobody will properly listen anyway, but I just had to get if off my chest. There.
… although I’m not really feeling any better. So I’ll just sing along with Three Dead Trolls In A Baggie; Every OS Sucks.
Amen, brother, amen.
If you’re in the market for an apartment in Copenhagen take a look our wonderful one at its own website: Haraldsgade-KBH.dk (it’s in Danish only)
Sold!
While we’re all in awe of Christopher Nolan’s most recent film, I picked up his previous one, The Prestige, from my online DVD retailer the other day.
At what a pleasant surprise it was. A great and very unusual1 story with strong pacing, perfect structure and great dialog.
And it contained a Story Trick that I’ve seen many times before, but here it was very clear and concise.
And now is the time for a warning before you read any further; there are major spoilers in this article, so if you haven’t seen the film, please do not read any further. Consider yourself warned.
Okay, you’ve seen it? Great! Let’s continue.
Today’s Story Trick2 is all about the Foreshadowing and Payoff trick3.
BORDEN (CONT’D)
I’m not letting anything happen- I love you too much.
Sarah grabs his face, looking at his eyes, smiling.
SARAH
Say it again.
BORDEN
I love you.
SARAH
Nope. Not today.
BORDEN
What?
SARAH
Some days, it’s not true. Today you don’t mean it. Maybe today you’re more in love with magic than me. It’s alright. I like being able to tell the difference- it makes the days it is true mean something.
And that line “Nope. Not today”, or versions of it, is repeated throughout the movie. And at first it just seems like Borden is the kind of man whom is only capable of loving one thing at a time. One day it is wife and other days it is his work, the magic, that he loves. This makes perfect sense because of the way he is portrayed in the movie.
But the Nolan brothers up the ante later in the script with this scene5 :
INT. SARAH’S FLAT – DAY<
Sarah is frantically REDRESSIN Borden’s injured hand. BLOOD has SEEPED trough the bandages.
SARAH
I don’t understand, Alfred. How can it be bleeding again?
She examines the wounds: 2 1/2 FINGERS ARE MISSING. The injuries are black, but wet and fresh.
Again it seems perfectly normal because they live in a very unsanitary time in London. A cut or wound could very well keep bleeding or catch infection.
The next scene that uses the trick is this one6:
EXT. NORTH HILL – DAY
Borden escorts Sarah and their TODDLER, a girl, up the three lined street. Borden stops abruptly. Crouches to his daughter.
BORDEN
Would you like to see a magic trick?
Borden reaches up and pushes a wayward LOCK of her hair over her ear. When his hand returns, it’s holding a KEY. He stands, places the key in Sarah’s hand.
SARAH
What is this for?
Borden takes her gently by the shoulders and turns her around until she’s facing a modest two-story HOUSE. She looks down at the key in her hand.
SARAH (CONT’D)
When I asked last week you said we couldn’t afford.
BORDEN
You caught me in the wrong mood.
SARAH
But you want through all the---
BORDEN
Sarah, I’m allowed to change my mind, aren’t I? The act is taking off; maybe soon I’ll get us into a bigger theatre. Things will work.
Sarah turns and embraces her husband.
See, again Bordon is portrayed as a man with a temper: “I’m allowed to change my mind, aren’t I?”. This is about halfway through the movie and we’ve seen him numerous times loose his temper. Nothing out of the ordinary here.
Later, the relationship between Bordon and Sarah is, to say it mildly, not very good7 :
Borden walks to the door. As he does, Sarah enters, avoiding his eyes, and then ducking him as he tries to kiss her.
She reaches for the sherry decanter. He watches her pour.
Sarah looks at him, eyes red from crying.
SARAH
We each have our vices.
Borden moves to her, gentle concern in his eyes.
BORDEN
Sarah. Whatever you may think, your only competitions for my affections is my little girl. I love you. I will always love you and you alone.
She looks into his eyes. Fascinated.
SARAH
You mean it today.
BORDEN
Absolutely.
SARAH
That makes it so much harder when you don’t.
She turns from him. Borden watches her sadly. Leaves.
That just a relationship gone south fast. And we have already seen that Bordon is having an affair with the young Olivia (played by Scarlett Johansson), so it, again, makes perfect sense. The scene is even followed up by this one right after8 :
INT. OLIVIA’S APARTMENT
Olivia, barely wearing a dressing gown, answers the door to Borden. She pulls him in, trying to draw him into a kiss, but he backs away.
OLIVIA
What is it Freddy?
BORDEN
Please don’t call me that. It’s nothing, just... sometimes things seem... wrong.
Olivia looks at him. Cold.
OLIVIA
Freddy, I’ve told you before. When you’re with me, you’re with me. Leave your family at home where they belong.
BORDEN
I’m trying, Olivia. Please.
Is he having second thoughts? We don’t know yet, but it would make sense, since he just declared his true love for his wife. By now the Nolans start to hand out the clues about the underlying plot of the whole movie, we just don’t know it yet.
The next thing that happens is that Sarah hangs herself in desperation.
Later Bordon is sitting with Olivia at a restaurant and having this conversation9 :
NT. RESTAURANT – EVENING
Olivia and Borden are seated across from each other, finishing their meal. Olivia watches Borden eat.
OLIVIA
You haven’t spoken about her, Freddy. Not once.
BORDEN
Who?
OLIVIA
Don’t be cruel.
BORDEN
Why would I talk about her to you?
OLIVIA
Because she was part of your life and now she’s gone.
Borden says nothing.
OLIVIA (CONT’D)
She wanted to meet me the day before she killed herself. Said she had something to tell me about you.
(looks away)
I was such a coward; I couldn’t bring myself to face her.
(looks at Borden)
What would she have said, I wonder?
BORDEN
(snaps)
You want the truth about me, Olivia?
(she nods, wary)
I never loved Sarah.
OLIVIA
(appalled)
You married her, had a child with her---
BORDEN
Part of me loved her. But part of me didn’t. The part that found you. The part that’s sitting here now. I love you. That is the truth that matters.
Again, we think we’re witnessing the confessions of a man torn between his passion for his art and his love for his wife, but little do we really know.
And then, and then ladies and gentlemen, comes the Payoff, behold10 :
INT. CELLAR, ABANDONED THEATRE – NIGHT
Angier PEERS down the row of glass boxes with the lantern.
ANGIER
(tense)
CUTTER?
Angier FREEZES. He can hear a small THUD, THUD, THUD getting closer, approaching from the darkness...
Angier FLINCHES as a RUBBER BALL bounces into the light--
Angier DROPS his cane to CATCH the ball. He turns it around in his hands, confused. Light EXPLODES around him as a GUNSHOT rings out.
Angier stands for a moment, confused, staring at the ball, then COLLAPSES to the ground, clutching at his stomach.
Fallon’s BOWLER HAT breaks into the circle of light. he is holding a smoking pistol... Angier drops the ball and it rolls across the floor, coming to rest at Fallon’s feet. But it is not Fallon’s gloved hand that picks up the ball--
-it is a MUTILATED HAND, WITH 2 1/2 FINGERS MISSING. Angier looks up:
ALFRED BORDEN REMOVES THE BOWLER HAT AND TAKES A BOW.
ANGIER (CONT’D)
(weak)
You-- you died.
Borden shakes his head.
Realization sweeps over Angier like a nightmare.
ANGIER (CONT’D)
A brother. A Twin.
INT. BASEMENT – CONTINUOUS – FLASHBACK
Fallon DROPS into the coffin. As Fallon stares up at us, WE SEE, FOR THE FIRST TIME, SOMETHING FAMILIAR IN HIS FACE -FALLON IS REALLY BORDEN IN DISGUISE.
ANGIER (V.O.)
You were Fallon. The whole time...
Fallon/Borden’s face disappears as Cutter seals his coffin.
INT. CELLAR, ABANDONED THEATRE
Borden smiles.
BORDEN
We were both Fallon. And we were both Borden.
Angier considers this. Minds spinning.
ANGIER
Were you the one who went into the box--
INT. STAGE – EVENING – FLASHBACK
As the ball bounces across the stage, Borden steps into the cabinet, shutting the door behind him.
ANGIER (V.O.)
-or the one who come back out?
Borden steps out of the second cabinet and catches the ball.
INT. DRESSING ROOM – EVENING – FLASHBACK
A stagehand wheels the two stage cabinets into the dressing room and leaves. Borden holts the door after him.
BORDEN (V.O.)
We took turns. The trick is where we would swap...
Borden opens the first cabinet and pulls up the false bottom.
His TWIN BROTHER, in identical stage clothes, uncurls himself from the hidden compartment and hauls himself out.
INT. DRESSING ROOM – LATER – FLASHBACK
Fallon and Borden are seated at the makeup table. Fallon begins removing pieces of his costume and makeup and handing them to the other brother. As we watch, THEY SWITHC INDENTITIES.
INT. CELLAR, ABANDONED THEATRE – EVENING
Angier stares up at Borden. Appalled.
ANGIER
Cutter knew. But I told him it was too simple. Too easy.
BORDEN
Simple, maybe. But not easy.
INT. WORKSHOP – EVENING – FLASHBACK
Both Bordens are standing at the workbench. One brother is gripping the other by his wrist and placing a CHISEL on his finger.
He checks the placemen of the chisel against his own mutilated fingers, adjust the chisel’s position, them picks up the hammer.
BORDEN (V.O.)
Nothing easy about two men sharing one life.
The second brother SWIGS from a gin bottle, then BITES down a padded stick as the first brother BRINGS DOWN THE HAMMER
INT. CELLAR, ABANDONED THEATRE – EVENING
Borden stares at his mutilated hand clasping the rubber ball.
ANGIER
What about Olivia? And your wife?
BORDEN
We each loved one of them. We each had half a full life. Enough for us, but not for them.
Borden puts the ball in his pocket. Tears in his eyes.
Et volá. The payoff. “We were both Fallon. And we were both Borden”. Bordon even says it in his voice-over, the very first line in the movie:
BORDEN (V.O.)
Are you watching closely?
He’s changeling us, as the viewer, but it isn’t until the end we realize this. Even though Cutter’s voice-over that accompanies the start of the entire movie clearly states what is going to happen11 :
CUTTER (V.O.)
Every magic trick consists of three parts, or acts... The first part is called the Pledge... ...the magician shows you something ordinary- A deck of cards, or a bird... ...or a man. He shows you this object, and pledges to you its utter normality... Perhaps he asks you to inspect it... ...to see that it is indeed real... ...unaltered... ...normal. But, of course, it probably isn’t... The second act is called the Turn... The magician takes the ordinary something... ...and makes it do something extraordinary. Now you’re looking for the secret. But you won’t find it... Because of course, you’re not really looking... ...you don’t really want to know. ...you want to be fooled. But you couldn’t clap yet. Because making something disappear isn’t enough... you have to bring it back. That’s why every magic trick has a third act. The hardest part..., the part we call... The Prestige.
That’s Foreshadowing and Payoff. And as simple as it looks, as simple it is. All the piece fall into place. That little line of dialog (”We were both Fallon. And we were both Borden”) explains why he can’t remember what knot he tied. Why his fingers keep bleeding. Why his wife sometimes could see if his love for her was real or not. Why he changed his mind about buying the house. And how the Transported Man really worked (he used a double). Bordon and Fallon were twin brothers12.
The Nolan brothers have with this written a superbly structure screenplay and perfectly illustrates the Foreshadowing and Payoff trick in absolute clarity. They are truly masters of this technique. Watch also Memento and their two Batman films.
If you want to know more about Foreshadowing and Payoff, I would highly recommend Linda Seger’s classic book “Making a Good Script Great“.
>>> Read the entire screenplay here. (direct link to PDF file).
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If you by any chance would be looking for the proudest person in Copenhagen at the moment, look no further, because here I am.
I just uploaded my latest1 version of my feature length screenplay Downfall to the wonderful website TriggerStreet.com2.
It has really been a learning experience to write this screenplay. I loved the month of April when I was witting the script as part of the Script Frenzy event, but was so exhausted afterward that I had to leave it alone for some weeks before looking at it again.
And when I finally did, I found a screenplay in need of some serious rewriting. And that is what I’ve spent most of my free time doing for the past months.
The structure of the story is somewhat unchanged, but the pacing, the dialogue, the descriptions have all been changed, corrected or rewritten completely.
Even some of the main characters where merged into one to keep the entourage down to a minimum.
So now, all I have to do is wait for the hungry review vultures of TriggerStreet.com to rip it to pieces and tell me why and where I need to revise the script.
But right now I’m happy as a lark and above proud. Very proud.
This new installment in the Story Trick series1 is not even written by me.
For some time I’ve been reading up on Joseph Campell and his Monomyth theory and how it could be applied to modern storytelling. Christopher Vogler2 has written an excellent introduction on how to apply it to screenwriting.
Now David Anaxagoras has written a really good article about one of the stages of the monomyth, Refusing the Call.
There is no need for me to write about this when David has already written such a good and explanatory article. Be sure to check out some his other articles on his newly launched website. It’s all great stuff.
The wonderful site Teknokratiet has accepted my article on multi-touch interfaces, so for all the Danish reading people out there I proudly urge you to go and read my article and some of the numerous others at the site.
It’s all great stuff.
Today is the birthday of my son Carl. He’s three. He’s one of the big boys now.
He has developed a great sense of humor; the other day we’re reading some books sitting in the couch and he suddenly curled up and said “I so so teeeerrible sad” and looked away. I of course asked him what was wrong and he just started to giggle and turned around to face me again and to show me that he had taken two pacifiers in his mount. “I’m double sad” he said smiling from ear to ear. That, of course, could only be cured by 10 minutes of intents tickling.
Oh, and he laughs at my jokes as well. I’ve been waiting quite a few years for a fresh audience.