Citizen Kane has met his/its match: There Will Be Blood is a masterpiece of near impossible quality and magnitude. Paul Thomas Anderson has gone where few dare (No Country For Old Men, ahem), and when a director attacks that which is more than human, perfection is the only option. Here’s to the brilliance. #
I had a hard time watching the Oscars this year. I seriously think that Paul Thomas Anderson’s epic There Will Be Blood was overlooked in such ways that years from now, we’ll will be refering to this year’s Oscars as the year were There Will Be Blood was denied Oscars.
When people find out that I’m “into movies” it doesn’t take long before this question pops up: “okay okay… so what’s your favorite movie of all time? No, no, let me put that in another way; if you could take only three movies with you on a desert island, what would they be?”.
Then I look like I’m thinking really really hard even though I have the answer ready beforehand. I go something like this: “hmmm… that’s really hard to pinpoint only a few movies. There are so many that I like. But if I have to choose only three movie it would be; After Hours and XX and YY”.
I then replace XX and YY with some movies that would please the crowd so to speak, be that anyone of the 9 or 10 stared movies from the movie page.
Then they go something like this: “Wow, man that is so totally rad! I love XX and YY, they’re the best movies EVAR made… but what was that first movie again? ‘After’ what? ‘After Hours’?… Never heard of it.”
I truly think it’s one of the most overlooked film of all time. It’s it without a doubt Scorsese’s most overlooked. It dark and sad and funny and heart wrenching and because of all this, very realistic. And it all takes place in one single night.
I’ve seen many compare the movie as a modern day Wizard of Oz or an urban Alice in Wonderland, where it is Paul that goes through the rabbit hole and enters then land of weird. It’s like a 10-min Groundhog Day that brings one man’s world to its knees, and he sure as hell isn’t in Kansas anymore.
And the “funny” thing about the movie is no matter how absurd it becomes, and it really does become very absurd, you always view the scenes and say “man that could happen to me” or “I know a person just like that”. That’s the brilliance of the story, it so absurd that it in a way becomes very realistic and close to home, because that’s what life is. Absurd.
The trailer below is full of spoilers so don’t watch it you haven’t seen the film already.
The story is basically about about Paul who meets a girl in a coffee shop after work and everything goes does south after that. Wikipedia has a very long and very good summery of the plot (that is also full of spoilers).
There are so many scenes in the movie that are worth showing but this one is really telling of the overall premise of the film:
On YouTube there are also a 2-part documentary about the making of the movie.
Part 1:2
Part 2:2
On researching for this post I found this quote on Wikipedia:
The film was originally to be directed by Tim Burton, but Scorsese read the script at a time when he was unable to get financial backing to complete The Last Temptation of Christ, and Burton gladly stepped aside when Scorsese expressed interest in directing.
Very interesting. I can’t seem to figure if it would have been a different movie if Burton was helming it. Visually and all it most certainly would have, but in my view the story is so strong that I think it would have remained more or less untouched. But that is just thinking about things that never happened and never will.
What remains is my favorite movie of all time. So now you know.
Hvis jeg nu siger “Forget about it…” vil du måske huske da filmen “Donnie Brasco” for første gang ramte de danske biografer i 1997 og alle gik og sagde denne sætning.
Filmen er baseret på en sand historie om FBI agenten Joe Pistone (Johnny Depp) som infiltrere mafiaen i New York ved at gå undercover som en Donnie Brasco alias Juvel-Don.
Lefty (Al Pacino) tager ham hurtigt under sine vinger og oplærer ham i mafiaens skrevne og uskrevne regler. Der går ikke længe før Lefty og Donnie udvikler et form for far/søn forhold.
Og det er netop dette forhold som er filmens kerne og hæver den langt over gængse kategorier. For “Donnie Brasco” er ikke en gangster film eller en action film. Det er en fortælling om et ualmindeligt venskab mellem to ualmindelige personer.
Lefty er lidt af en gammel afdanket mafioso. Han er forgældet til op over begge ører og hans reelle magt er efterhånden indskrænket betydeligt.
Han tænker altid tilbage på de gode gamle dage, da han nød mere respekt på gaden og alle var bange for ham. Nu er hans største ønske blot at komme til at nyde sit otium sammen med sin kone. Men tingene falder ikke helt i Leftys favør.
Donnie bliver efterhånden så meget involveret i mafiaen at han kommer til at gøre ting som han ikke er særlig stolt af.
Ydermere tager meget hårdt på Donnies privat liv at han konstant er undercover og aldrig er hjemme.
Situationen bliver endnu mere kompliceret da den store mafia-boss bliver myrdet og alle skal forfremmes et led frem i kæderne for at udfylde pladserne og Lefty bliver forbipasseret.
Bitterheden over dette kommer til at præge Leftys forpligtigelser for mafia fremover.
Instruktøren Mike Newell var knap nok blevet førdig med filmen “Fire Bryllupper Og En Begravelse”, før han gik i gang med “Donnie Brasco” som må siges at være noget af et spring i en anden retning.
Men det er lykkedes Newell at skabe en af de absolut bedste film i 1997. Båret frem af nogle af de bedste skuespiller præsentationer i lang lang tid indhyllet i en gribende og velskrevet historie.
Om “Donnie Brasco” er en god film? Forget about it! Den er et mesterværk. Og det er en fornøjelse at se den igen.
* * * * * * (6 ud af 6 mulige)
- Simon Larsen
Original Titel: Donnie Brasco
Længde: 121 min.
Instruktør: Mike Newell
Medvirkende: Al Pacino, Johnny Depp, Michael Madsen, Bruno Kirby, James Russo, Anne Hache.
DVD materiale:
På DVD’en finder vi en 20 minutter lang The Making of – dokumentar som giver et glimrende billede af arbejdet med at bringe denne sande historie til det store lærred.
Ud over det ligger der det sædvanlige materiale; trailere, bio’er.
En ganske hæderlig DVD-udgivelse.
